The very best Guitar Effects Processor - The Secret to Great Guitar Tone

Those were the words used in a guitar player magazine advert for the Art sgx 2000 that first caught my attention. The most important thing I learned from owning one was the best ways to eq my noise to obtain great guitar tone.

I know that seem like I'm blowing my own trumpet, and everybody has their own concept of exactly what an excellent guitar sound is, so let's just state I have actually learned a couple of things that ideally you may find useful.

When it pertains to guide recording, I have actually always tried to imitate the sound one hears when standing a fair range away from the Best Bass Multi Effects Pedal, rather than the gritty noise one gets when the amplifier speaker is facing you straight.

Easy EQ guidelines.

I usually wind up adding more bass to my guitar sound. Not too much, however just enough to round out the sound. A guitar sound can actually handle rather a reasonable amount of additional bass prior to it gets overbearing.

The technique here is to offset it with the correct amount of upper midrange. The frequency I typically want to use is 4 khz.

For bass, 100 Hz is generally great, but it depends upon the amplifier and speaker being modelled too.

Guitar effects processors and amplifier modellers I've utilized effectively in the studio.

The Art SGX 2000 (Not made). This had a valve preamp section which was set up in different methods to produce various noises, along with a strong state distortion. This had exceptional impacts and eq options. The closest thing available nowadays is the Rocktron Prophecy 2 and the Rocktron voodoo valve.
The Sansamp classic. This in combination with the Art SGX 2000 gave me one of the most outstanding rock guitar sounds. This is just an amplifier simulator and has no extra results like reverb, delay and so on
. The Roland GP 100. The very first guitar effects processor from Roland to include their "Composite Things Sound Modelling", or COSM for short. This was a completely digital device, and also though the results where excellent, the amp models left a lot to be desired. The latest COSM guitar preamps are primarily made by Boss, a subsidiary of Roland.
The Behringer V-Amp. This little system shocked me with the quality of a few of its tones, specifically for direct recording and live directly into the mixing desk. The trick was to use the right speaker cabinet model, as just a couple of where good. Behringer is now approximately the V-Amp 3.
The Boss GT-6. This multi-effects processor initially dissatisfied me, but after really diving in and checking out every option offered, I was eventually able to emulate a wide range of guitar amps quite convincingly along with discover a guitar sound to call my own. If you have actually got one, the technique is to use the booster pedal effect to alter the tone of some amps along with not be afraid to eq the hell out of it if you have to.
In charge GT-Pro. This, together with the GT 10 floor unit is the latest COSM processor, and is a rackmountable guitar rig for the recording studio.
While I've utilized other guitar processors than the ones discussed above, I've left out those that truly didn't have what it takes.

There are also a lot of guitar processors I've never ever utilized before which might be excellent, but I can't actually state anything about them until I do.

Some more ideas when working with guitar amp modellers.

Never hesitate to get too extreme with the EQ. Often that's what it takes to turn a good sound into a fantastic one.
Constantly take a break when you believe you have actually discovered the noise you want, and return later to see if it's still sounding good.
Inspect the sound with and without headsets. What sounds good on earphones can sometimes be a bit over the top when the studio monitors are used.
Utilize a guitar that's got medium to low output. Some processors can't handle the extremely high output of high gain pickups. I have actually discovered that pickups with an impedance of 15K or less work fine. 20K may be too much for certain digital processors.
Examine all gain stages if you can, too see that no part of the effects chain is straining the next one, or the output. This helps a lot with the last tone.